by Sarah Searight; photography by Jane Taylor; Miranda Morris on Soqotra; foreword by Tim
Mackintosh-Smith
Pallas Athene, 2002. Pp. 160. Over 300 colour photographs. Map.
Chronology. Glossary. Notes. Bibliog. Index. Pb. £19. 99. ISBN
1-873429-82-7.
The publication of Yemen: Land and People coincides with
the opening of the British Museum’s ‘Queen of Sheba’
exhibition, and those whom the exhibition inspires to visit Yemen
will find this book an instructive, entertaining and visually
appealing companion.
Sarah Searight writes modestly that her aim ‘is to introduce
newcomers succinctly to the history and scenery of this remarkable
country. . . ’ But aficionados of Yemen will find much that
is new to enjoy in the fascinating mix of history and anecdote,
seasoned by her own observations and those of earlier travellers,
which she recounts as she takes the reader on a brisk and
invigorating tour of the country. She writes with evident affection
for the ‘land and people’, and one of the strengths of the book
is her ability to communicate a mass of information — historical,
academic and practical — in a style which is relaxed and readable;
her two chapters on the ancient kingdoms, for example, are notable
for the fluency with which they unravel the complex archaeology and
history of the early inhabitants of South Arabia.
In his Foreword, Tim Mackintosh-Smith describes Yemen as ‘inexhaustibly
photogenic’. In any new illustrated publication on Yemen it is
difficult to be original. Yet Jane Taylor has managed to achieve
this by photographing familiar scenes from a different angle and
with a different emphasis. The full page picture of the famous
Shaharah bridge is a case in point: instead of showing the bridge
itself in close-up, she has emphasised the audacity of its
construction over the chasm which it spans, by bringing the rugged
mountain scenery on each side into prominence.
It is always difficult to achieve a balance between pictures and
text in a work of this kind. Some may feel that many of the pictures
are too small, others that the colour reproduction does not always
do justice to the photographer’s skills; but the general layout
and design of the book are pleasing, and a number of old
photographs, prints and sketches have also been included from
sources such as P & 0 and, not surprisingly, the Searight
Collection at the V & A.
In recent years the island of Soqotra has aroused international
interest because of its unique flora and fauna. In 1996 the
Government of Yemen ratified the International Convention on
Biodiversity, and declared the Soqotra archipelago a special area in
need of protection. In the chapter which she has contributed to the
book, Dr Miranda Morris offers a compelling account of the people
and their struggle for survival in a harsh environment. She provides
an illustrated survey of important species of plants, and describes
the island’s wildlife down to insect level: a fly lurking under
trees, which spits at its victims, is harmless, the islanders say,
if you cover your mouth and face. This and other denizens of the
insect and reptile world which she mentions may discourage all but
the most intrepid travellers from visiting Soqotra!
The text and photographs are fully supported by notes, a glossary
and suggestions for further reading. There are two minor misprints
in the useful map provided at the front of the book: the town of Qa’taba
is spelt ‘Qataban’ (as in the ancient kingdom of that name
centred on Timna), and Nuqub (Bayhan) is spelt ‘Nuqul’.
Meanwhile, those of us familiar with a kalashnikov will note
that the small boy pictured on p. 79 is (despite the caption)
actually carrying a rifle; while those who have climbed Jebel
Shamsan for a marvellous view over Aden, will recognise the error in
‘Shamshan’ (p. 122).
Both Sarah Searight and Jane Taylor acknowledge that their book
owes a great deal to the interest and encouragement of many Yemeni
officials and friends, but especially to the generous sponsorship of
two leading Yemeni family businesses All concerned can justly
celebrate the result, which is a significant addition to Pallas
Athene’s portfolio of specialist guides and travel books.
JULIAN PAXTON